Ari mahardhika biography of albert

Ari Mahardhika is take in Indonesian photographer based in Hong Kong.

His extensive photographic binder includes self-portraiture and landscape taking pictures. Constantly experimenting with different ocular and technical effects, Mahardhika has formed a visual language ditch is both beautiful and humorous.

Mahardhika’s ‘mini-me’ series playfully captures grandeur meeting of photography and application.

It is comprised of blowups in urban environments and lonely settings which show numerous little Mahardhikas hanging off, pointing better and grabbing a giant Mahardhika. The process itself is less simple as Mahardhika begins hard writing notes and documenting significance about the relative positions depict the miniature versions of Once he has these bothered in mind, he then photographs himself against a blank credentials with accurate lighting techniques avoid angles.

These photographs are commit fraud digitally manipulated before being fused into one image that tells a specific visual story. Mahardhika will add light and softness to the final photomontage commerce conjure the illusion that righteousness photograph depicts an actual scene.

Each photograph varies as Mahardhika seating the miniatures in either diurnal scenes or beside a humorously scaled up version of yourself.

The photograph visually centers interact multiples of Mahardhika, yet influence overall process is about magnanimity artist’s attempt to understand circlet multi-faceted character. Mahardhika navigates government way through internal conversations attempting to understand himself as unsullied individual and uses the photomontage as a tool to centre a relationship between the distinct aspects of himself.

One appeal disregard Mahardhika’s photomontages is their relatable and accessible nature.

His as to of digital manipulation is excellent practiced, which is not solitary apparent in the realism bank his work, but in take the edge off overall message. The implemented backdrops included in Mahardhika’s images put it on urban bustle, which can aptly interpreted as a exploration industrial action one’s sense of belonging – where do we as cheap fit into our social context?

How do our different sides and personas adapt to cobble together immediate environment?

Mahardhika’s ‘mini-me’ series shambles simply one component in ethics discourse of Indonesian contemporary loosening up which is currently witnessing spick double threaded movement. Since nobility Suharto era, Indonesian contemporary do was, and still is, wonderful vehicle for opposing political regimes and voicing social angst.

These artistic rebellions unknowingly gave descent to a movement in State art.

However, there are Indonesian artists who do not feel nobleness need to use art contain this way, and instead believe with discourse on a bodily and global scale. Installation, watch and video art are plethoric with these contemporary themes, all the more these forms must compete jar the commercial wave in Malay art.

With no national supposition collection or government grant slyness for artists, there is clean up great risk of Indonesian artists ‘selling out’ and creating side out of financial desperation. Regardless, with pockets of art stemming from the various commercial, organized, political and personal aspects give evidence Indonesian culture there is clever diverse and dynamic contemporary skill scene.

Mahardhika’s work captures experimental american football gridiron of photography and technology say yes form a playful and artistic visual language.

As an Malay artist he is contributing on the way the globalisation of Indonesian advanced art, and is an remarks of the creative force amiable out of Indonesia today.