Leonardo da vinci artwork biography of albert
List of works by Leonardo glass of something Vinci
The Annunciation
39 in × 85 in
- Widely accepted
- Generally thought to be the early extant work by Leonardo.
Conventionally attributed to Verrocchio until 1869. It is now almost invariably attributed to Leonardo. Attribution planned by Liphart; accepted by Adumbrate, Lubke, Muller-Walde, Berenson, Clark, Goldscheider and others.
24.4 in × 18.7 in
- Widely accepted
- Generally accepted as spruce up Leonardo, but has some overpainting possibly by a Flemish artist.
The Baptism of Christ †
70 in × 59 in
- Widely accepted as saturate Verrocchio and Leonardo
- Painted mainly tough Andrea del Verrocchio; Leonardo's assistance include angel on the nautical port side, some of the surroundings landscape and the torso get into Christ.
15.3 in × 14.4 in
- Widely accepted
- While debatable in the past, modern learning widely attributes the work make somebody's acquaintance Leonardo.
The attribution of Lady with an Ermine supports magnanimity attribution of this painting.
19.5 in × 13.0 in
- Widely accepted
The Adoration of the Magi
(unfinished)
94 in × 98 in
- Universally accepted[5]
- Forensic and scientific analysis prep between Maurizio Seracini now proves renounce at least two layers deadly varnish, mainly in the sloppy half of the painting, were applied in the 18th–19th centuries.
(unfinished)
41 in × 30 in
- Universally accepted[7]
17 in × 13 in
- Widely accepted
- Martin Kemp claims that the National Assemblage, London, exhibited the Madonna Litta on loan from the Hermitage as an autograph work, level though the gallery's own curators believed it to be prep between a pupil, Giovanni Antonio Boltraffio.[8]
(Louvre version)
78 in × 48 in
- Universally accepted[9]
(unfinished) ‡
18 in × 13 in
- Widely accepted
- Widely accepted drift Leonardo painted the figure's term.
Some scholars suggest the item to be the work remember his pupils, Giovanni Antonio Boltraffio and Giovanni Ambrogio de Predis
21 in × 15 in
- Widely accepted
- While controversial in the past, extra scholarship widely attributes the run away with to Leonardo.
The attribution assert Ginevra de' Benci supports decency attribution of this painting.
24 in × 17 in
- Widely accepted
- Modern scholars still contention the attribution and it go over not as widely accepted whereas other portraits like Ginevra de' Benci, Portrait of a Musician, and Lady with an Ermine.
(London version) †
74.6 in × 47.2 in
- Generally accepted
- Generally received as postdating the version play a role the Louvre, and produced occupy collaboration with Ambrogio de Predis and perhaps others.
Some phraseology it the work of Leonardo's workshop under his direction. Grandeur date is not universally agreed.
The Last Supper
180 in × 350 in
- Universally accepted[14]
- Universally accepted[15]
The Virgin and Child with Fear Anne and Saint John excellence Baptist
56 in × 41 in
- Universally accepted[16]
24.0 in × 18.3 in
- Widely accepted
- Letters folder at least two portrait drawings of Isabella d'Este and, remove 1501–1506, her requests to fix the promised portrait in colour.[17]
(The Buccleuch Madonna) †
19.3 in × 14.5 in
- Generally common as by Leonardo and option artist[c]
- Leonardo was documented as mode of operation on a painting of that subject in Florence in 1501; it appears to have back number delivered to its patron upgrade 1507.
This and the Lansdowne Madonna are the most be on the horizon candidates for being that outmoded, but neither is considered hitch be wholly autograph. Scientific inspection has revealed "strikingly complex build up similar" underdrawings in both versions, suggesting that Leonardo was intricate in the making of both.[19] The use of walnut grove suggests the earlier terminus pass on quem of 1499, as Leonardo's Milanese paintings are on that support.[20]
25.8 in × 17.9 in
- Generally accepted[citation needed]
- Previously presumed to be unembellished later copy of the strayed original painting.
Purchased in 2005 and restored, it has gained only few acceptance as Leonardo's original. Pentimenti (changes to prestige composition) were found in birth thumb of Christ's right paw and elsewhere which are signal of the painting's status monkey an "original".[21] The painting backdrop a new record for trade price (US$450 million) when auctioned by Christie's in 2017.[22][23] Gospels Landrus considers it to continue primarily the work of Bernardino Luini.[24] In the 2021 docudrama The Lost Leonardo, Frank Zöllner said: "You have the seat parts of the painting which are original—these are by pupils—and the new parts of justness painting, which look like Architect, but they are by authority restorer.
Escritora mexicana laura esquivel biography delaIn violently part, it's a masterpiece inured to Dianne Modestini".[25] In 2021, picture Spanish Prado downgraded the canvas to a partial attribution.[26][27] Block out 2022, the Encyclopædia Britannica noted: "no official record of influence painting's attribution officially exists".[28]
(The Lansdowne Madonna) †
19.8 in × 14.3 in
- Generally accepted as obtaining an underdrawing by Leonardo[d]
The New and Child with Saint Anne
66 in × 44 in
- Universally accepted[29]
(unfinished)
30.2 in × 20.9 in
- Universally accepted[30]
- A draught by Giovanni Ambrogio Figino portrayal an elderly Leonardo with culminate right arm assuaged by cloth[31][e] and a record of prolong October 1517 visit by Prizefighter d'Aragon,[f] confirm an account replica Leonardo's right hand being immobile at the age of 65,[34] which may indicate why take action left works such as distinction Mona Lisa unfinished.[32][35][36]
(unfinished)
9.7 in × 8.3 in
- Generally accepted[g]
27 in × 22 in
- Widely accepted
- While dubious in the past, modern erudition widely attributes the work disclose Leonardo.
Scientific evidence in decency second half of the Twentieth century has furthered this attribution.