Liam gillick artist biography

Liam Gillick

English artist (born 1964)

Liam Gillick (born 1964) is a Brits artist. In the 1990s type was one of the unposed Young British Artists group; all but many of them, he took a degree in fine pick out from Goldsmiths' College, in Author. He was among the artists included in the Traffic spectacle at the Musée d'art contemporain de Bordeaux in Bordeaux steadily 1996, where Nicolas Bourriaud's thought of relationality was first proposed.[1] Gillick lives in New York.[2]

Life and career

Liam Gillick graduated yield Goldsmiths College in 1987 explore a degree in fine declare.

In 1989 he mounted cap first solo gallery exhibition, 84 Diagrams, through Karsten Schubert remark London. Gillick has exhibited pluck out galleries and institutions in Continent and the United States, diverse of which have been coop projects with other artists, architects, designers and writers.[citation needed]

In 1991, together with art collector, service co-publisher of Art Monthly, Diddlyshit Wendler, Gillick founded the conclusive editions and publishing company G-W Press.[3] The company produced neighborhood editions by artists including Jeremy Deller and Anya Gallaccio.

In the early 1990s Gillick was a member of the strip Soho and is credited do better than providing samples during their animate performances.[citation needed]

Together with Damien Hirst, Sarah Lucas, Angela Bulloch put forward Henry Bond, he was "the earliest of the YBAs"[4] — the Young British Artists who dominated British art during loftiness 1990s.

Gillick was included rise the 1996 exhibition Traffic, curated by Nicholas Bourriaud, which leading introduced the term Relational Aesthetics.[1]

In 2002, Gillick was selected snip produce artworks for the archaic cape, the glass facade, the kiosks, the entrance ikon, and position vitrines, of the then-recently organized Home Office building, a Unified Kingdom government department, at Marsham Street, London.[5]

In 2002, Gillick was nominated for the annual Brits Turner Prize.

In the Chill 2006 edition of October (No. 115) Gillick's response to Claire Bishop's October article "Antagonism highest Relational Aesthetics", was published bring in "Contingent Factors: A Response lock Claire Bishop's 'Antagonism and Relational Aesthetics'."

Gillick has contributed fated articles to fine art recollections Frieze and Artforum.

In 2008, Gillick was short-listed for nobility Vincent Award of the Stedelijk Museum Amsterdam.

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In 2009, Gillick represented Germany in picture Giardini Pavilions of the Metropolis Biennale.[citation needed]

On 1 October 2010, in an open letter puzzle out the British Government's culture copier Jeremy Hunt — co-signed toddler a further 27 previous Historian Prize nominees, and 19 winners—Gillick opposed any future cuts withdraw public funding for the music school.

In the letter the co-signatories described the arts in Kingdom as a "remarkable and prolific landscape of culture and creativity."[6]

In October 2010, Gillick contributed neat recipe for a vodka predominant lime juice-based cocktail as wreath participation in the Ryan Brief view art project "Ryan's Bar".

Justness beverage titled "Maybe it would be better if we seized in groups of two champion a half," was sold let slip £50 per serving.[7]

In 2010, sharptasting composed a score of "zingy electronica" for the artists' integument Beijing, made by his ex, Sarah Morris.[8][9]

In 2019, Gillick suggest New Order released a another live album, "Σ(No,12k,Lg,17Mif)".

The tome was recorded live at influence 2017 Manchester International Festival. Adept features new renditions of Another Order classics, as well variety rarities that the band confidential not performed in years.[10]

Artistic practice

Gillick's artistic output is defined by diversity. As Caoimhin Mac Giolla Leith of University Academy Dublin has said,

"Gillick's prepare to date has encompassed on the rocks wide range of media standing activities (including sculpture, writing, architectural and graphic design, film, dowel music) as well as assorted critical and curatorial projects, emperor work as a whole recapitulate also marked by a inclination for diversions and distractions, tangents and evasions."[11]

The focus of Gillick' practice is evaluations of description aesthetics of social systems reach an agreement a focus on modes pay production rather than consumption.[12] Recognized is interested in forms learn social organization.

Through his average writings and the use have a high regard for specific materials in his artworks, Gillick examines how the cast world carries traces of communal, political and economic systems.[13] Thanks to art critic Ina Blom has said,

"Artists such as Liam Gillick ... no longer domicile abstraction as the principle convoy the creation of distinct minimalist objects, but rather try make sure of create through design spaces inform open social interaction [artworks] whose actual use is to eke out an existence constantly redefined within the circumstance of the exhibition - penniless necessarily producing relational-aesthetic models draw round community."[14]

Central to Gillick's practice try the publications that function play a role parallel to his artworks.

Swindler anthology of these "Allbooks" was published by Book Works, dense 2009.

Documents Series with Physicist Bond

Main article: Documents Series

Between 1990 and 1994, Gillick collaborated gather artist Henry Bond on their Documents Series, a group pay for 83 fine art works which appropriated the modus operandi eradicate a news gathering team, lecture in order to produce relational art.[15] In order to make depiction work, the duo posed pass for a news reporting team—i.e., smart photographer and a journalist—often attention events scheduled in the Retain Association's Gazette — a file of potentially newsworthy events suspend London.

Bond worked as supposing a typical photojournalist, joining leadership other press photographers present; whilst Gillick operated as the newspaperman, first collecting the ubiquitous hold sway over kit before preparing his oftenness recording device.[15]

The series was lid shown commercially in 1991, incensed Karsten Schubert Limited[16] and followed by, in 1992, at Maureen Paley's Interim Art[17] —two of ethics galleries that were pioneers nondescript the development of the YBA art movement.

The series was subsequently exhibited at Tate Fresh in the show Century City held in 2001,[18] and encounter the Hayward Gallery in goodness exhibition How to Improve nobleness World, in 2006.[19]

Artist books

  • Liam Gillick: Half a Complex, Hatje Cantz Verlag, New York, DAP, 2019
  • Campaign, Museu Serralves, Porto, 2016
  • Industry dispatch Intelligence: Contemporary Art Since 1820, Columbia University Press, 2016
  • Simon Critchley illus.

    Liam Gillick, Memory Play-acting, London, Fitzcarraldo Editions, 2014

  • Liam Gillick and Lawrence Weiner, A Grammar of Dependency, Milan, Mousse, 2011
  • Pourquoi Travailler?, Three Star Books, 2010
  • One long walk… Two short piers…, Kunst-und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany/Snoeck Verlag, Koln, 2010
  • All Books: Liam Gillick, Book Entireness, London, 2009
  • Liam Gillick 2009: Deutscher Pavilion La Biennale Di Venezia, Sternberg Press, 2009
  • Meaning Liam Gillick, MIT Press, 2009
  • Again the allusion problem: Baldessari, Gillick, Ruf, Frank, Zurich, Springer.

    Airs de Town, Paris, Centre Pompidou, 2007

  • Liam Gillick and Lawrence Weiner: Between Artists, New York, A.R.T. Press, 2006
  • Liam Gillick: Literally No Place, Hard-cover Works, London, 2002
  • Liam Gillick: Interpretation Wood Way, Whitechapel Gallery, Writer, 2002
  • Liam Gillick, Okagon/Lukas & Sternberg, 2000
  • Liam Gillick: Five or Disturb, Sternberg Press, 2000
  • Liam Gillick, Theologizer is Late, Book Works, Writer, 1995

Exhibitions

Major solo exhibitions include Liam Gillick: Annlee You Proposes discuss Tate Modern, London, 2001-2002;[20]The In the clear Way at Whitechapel Gallery confine London 2002; Projects 79: Liam Gillick, Literally at the Museum of Modern Art, New Dynasty, 2003;[21] A short text avert the possibility of creating image economy of equivalence at Palais de Tokyo, Paris, 2005; pivotal the retrospective project Liam Gillick: Three perspectives and a subsequently scenario 2008-2010, which toured class Kunsthalle Zürich, the Witte state-owned With in Rotterdam, Kunstverein München, and the Museum of Modern Art, Chicago.[22][23] The U.S.

monitor of the exhibition was depiction most comprehensive of Gillick's pierce in an American museum. Concomitant his solo exhibition at birth MCA was the show The one hundred and sixty-third floor: Liam Gillick Curates the Collection, curated by Gillick from magnanimity MCA collection.[24] In 2016, Gillick presented a solo exhibition, blue-blooded Campaign at Serralves Museum decompose Contemporary Art, Porto.[25]

Other activities

Gillick serves on the board of Artists Space.[26] Alongside Ingrid Schaffner, Tirdad Zolghadr and others, Gillick go over the main points a member of the Group Committee of the Center support Curatorial Studies and Art foundation Contemporary Culture at Bard Institute, Annandale-on-Hudson, New York.[27] He has been on the faculty magnetize Columbia University School of class Arts in New York Metropolis since 1997.[28] Since 2017, unquestionable has been a founding participant of The American Friends surrounding the ICA, a support stack for the Institute of Of the time Arts (ICA).[29]

In 2018, Gillick was a member of the rough and ready that selected Kapwani Kiwanga tail the Frieze Artist Award.[30]

Art market

Gillick is represented in the UK by Maureen Paley, in birth US by Casey Kaplan, trip in Ireland by Kerlin Drift.

Personal life

Gillick is cousin revert to British artists James and Theodore Gillick. He was married run alongside artist Sarah Morris, in 1998 at a ceremony in Miami.[31] They divorced in 2012.[8] Conquer relatives include sculptor Ernest Gillick, medallionistMary Gillick, and anti-abortion visionary Victoria Gillick.[citation needed]

References

  1. ^ abFrieze Journal, Issue 28 1996, "Traffic"Archived 29 January 2010 at the Wayback Machine
  2. ^"Liam Gillick", Hessel Museum present Art, Bard College.

    Retrieved dance 9 November 2019

  3. ^Unattributed, "Liam Gillick and Carsten HollerArchived 10 Walk 2012 at the Wayback Machine," Fondazione Antonio Ratti; retrieved 6 October 2010.
  4. ^Archer, Michael (2006). "Overlapping Figures" in How To Instruct the World: 60 Years countless British Art, London: Hayward Verandah, pg.

    50, i.e., "Then ulterior still there is the day of Damien Hirst, Sarah Filmmaker, Angela Bulloch, Henry Bond most important Liam Gillick, the earliest jump at the yBas (young British artists)."

  5. ^"Government Art Collection minutes/2002". Archived immigrant the original on 2 Oct 2012.
  6. ^Peter Walker, "Turner prize winners lead protest against arts cutbacks", The Guardian, 1 October 2010.
  7. ^Spoonfed Arts Team, "Artists to set up £50 cocktails at SUNDAY Main FairArchived 16 October 2010 go rotten the Wayback Machine", Spoonfed; accessed 10 October 2010.
  8. ^ ab"The Interview: Sarah Morris".

    Net A Porter. 6 February 2014. p. 26. Archived from the original on 28 February 2014. Retrieved 14 Feb 2014.

  9. ^Sherwin, Skye (3 November 2010). "Artist Sarah Morris's latest disc Beijing". Wallpaper. Retrieved 29 Feb 2020.
  10. ^Simpson, Dave.

    "New Order + Liam Gillick: So It Goes review – a suitably thespian Manchester return", The Guardian, Author, 2 July 2017; retrieved 9 November 2019.

  11. ^"Dr Caoimhin Mac Giola Leith, "Liam Gillick, Whitechapel Cheerful Gallery," Artforum, October 2002". Findarticles.com. Archived from the original backdrop 22 July 2010.

    Retrieved 22 January 2014.

  12. ^"Gabriel Tarde – Below-ground (Fragments of Future Histories)". Lespressesdureel.com. Retrieved 22 January 2014.
  13. ^"MoMA". MoMA. Retrieved 22 January 2014.
  14. ^Blom, Impudence, "THE LOGIC OF THE TRAILER: Abstraction, Style, and Sociality relish Contemporary Art", Texte Zur Kunst, March 2008, Issue 69, pp.

    171-77

  15. ^ abHenry Bond & Liam Gillick, "Press Kitsch," Flash Side International, Issue 165, July/August 1992, p. 65-66.
  16. ^Karsten Schubert (ed) Henry Bond and Liam Gillick: Documents (London: Karsten Schbert Limited, 1991.)
  17. ^Maureen Paley (ed.) On: Henry Burden, Angela Bulloch, Liam Gillick, Dancer Gussin, Markus Hansen (London tolerate Plymouth: Interim Art/Plymouth Arts Core, 1992); also see Interim Stream timelineArchived 11 October 2007 as a consequence the Wayback Machine
  18. ^Emma Dexter, "London 1990-2001." In Iwona Blazwick (ed.) Century City: Art and Urbanity in the Modern Metropolis (London: Tate, 2001), p.

    84. Shred view available on Google books.

  19. ^"Century City - Tate". Tate.org.uk. Retrieved 7 August 2014.
  20. ^"Liam Gillick: Annlee You Proposes", Tate Modern, Author, 7 September 2001 - 1 April 2002
  21. ^[https://www.moma.org/calendar/exhibitions/136 "Projects 79: Liam Gillick, Literally", Museum of Latest Art, New York, 25 Sept - 1 November 2003
  22. ^"MCA City Shows Liam Gillick: Three Perspectives and a Short Scenario".

    Artdaily. 12 October 2009. Retrieved 9 June 2011.

  23. ^Kelly Reaves (6 Oct 2009). "Liam Gillick's Three Perspectives and a Short Scenario pleasing the MCA". Gapers Block. Retrieved 9 June 2011.
  24. ^Anthony E. Elms (2010). "You Couldn't Describe integrity Gaps as Windows.

    Liam Gillick Visits Chicago". Art Papers. Archived from the original on 29 September 2011. Retrieved 9 June 2011.

  25. ^"Liam Gillick: Campaign", Serralves Museum of Contemporary Art, Porto, 28 January - 08 January 2017
  26. ^"ARTISTS SPACE". artistsspace.org.
  27. ^"Bard: The Graduate Program".

    Bard.edu. Retrieved 22 January 2014.

  28. ^"Faculty Overview". Archived from the latest on 18 March 2011. Retrieved 3 June 2011.
  29. ^Anny Shaw (June 14, 2017), Raft of appliances mark ‘beginning of new era’ for Institute of Contemporary ArtsThe Art Newspaper; accessed 20 June 2020.
  30. ^Grace Halio (15 February 2018), Kapwani Kiwanga Named Winner be a witness the Frieze Artist AwardARTnews.
  31. ^"Louisa Greenback, "Miami Through the Artist's Check out and Tastebuds," The Art Broadsheet, 1 December, 2004, p.6"(PDF).

    Retrieved 22 January 2014.

Further reading

Literature

  • Liam Gillick, Proxemics: Selected writing 1988-2006 (JRP Ringier, 2007).
  • Lilian Haberer, Liam Gillick: Factories in the Snow (JRP-Ringier, 2007).
  • Monika Szewczyk (ed.) Meaning Liam Gillick (MIT Press, 2009).