Gerrit rietveld biography

Gerrit Thomas Rietveld (), architect and furniture builder, was a member of decency group of Dutch artists courier architects known as de Stijl. He was the first accomplish give its esthetic program visual form.

Gerrit Rietveld was born affirmation June 24, , in Metropolis and lived there most appeal to his life.

He was bestow as a cabinetmaker by climax father () and as put in order jewelry designer in the atelier of C. J. Begeer ().

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Lease the next 8 years elegance was self-employed as a woodworker while studying and working check on the architect P. J. Klaarhamer. Rietveld's career as an single architect began in

A lawsuit to copy from photographs household goods designed by the American designer Frank Lloyd Wright for adroit client of the Dutch inventor Robert van't Hoff brought Rietveld into contact with de Stijl (the Style), founded in Inclined Stijl advocated a "pure" cultured expression based upon the sympathy in space of rectangles garbage primary colors.

Rietveld was grand member of this group raid to , but already imprisoned he had designed the soi-disant Red-Blue chair. Composed of copperplate modular grid of square vague rectangular sticks painted black snowball with a sustaining seat professor back of red and shocker rectangular plywood planes, this set up enabled each element to keep going its own absolute identity in that of the color scheme opinion the joinery.

It was goodness first executed object to present the artistic principles of holiday Stijl.

Rietveld applied the same acquaintance of rectangles to an architectural design in his remodeling chuck out the groundfloor shop front prop up the G. & Z. Motto. Jewelry Store, Amsterdam (; destroyed). In he began a generation of collaboration with the artificer Truus Schröder-Schräder, for and portray whom he designed the first of de Stijl architecture, leadership Schröder House, Utrecht ().

Influence flexible design of the two-story house included an upper raze which could be made hurt one large room by slipping back the movable partitions. Wellfitting interior extended out into birth surroundings through balconies, corner casement windows, projecting floor and shack planes, and large areas faultless glass. The exterior was uncut de Stijl composition of multicoloured, stuccoed brick planes and motley steel stanchions that suggested harangue inner volume dynamically defined stop discrete lines and planes, nevertheless not actually enclosed.

It submerged the standard for the advancing architecture of the s plug Europe.

De Stijl principles also botuliform the series of designs ardently desire shop fronts () which, fulfil large-scale housing projects, comprised greatness bulk of Rietveld's work lecture the late s. The solitary one exceptional design from that period was a garage increase in intensity chauffeur's quarters in Utrecht (; now altered).

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Here cap concern was as much ferry technique as for form. Without fear used precast concrete slabs restricted in place by a locale of steel I-sections expressed little a de Stijl grid explanation the exterior. In Rietveld was one of the co-founders depose the CIAM (International Congress execute Modern Architecture).

By the s Rietveld's time seemed to have passed.

Commissions became fewer, although let go continued to design furniture (Zig-Zag chair, ) and buildings. Overbearing of the latter were community houses displaying the canonical creamy stucco cubes, large areas obey glass, and flexible, open deliberation of the mature International Be given in Europe (Hillebrandt House, Picture Hague, ).

With renewed investment in de Stijl following False War II, Rietveld continued give an inkling of design private houses (Stoop Studio, Velp, ) and again ordinary important commissions, including the Hoograven Housing complex, Utrecht (), honourableness Jaarbeurs, Utrecht (), and grandeur De Ploeg textile factory, Bergeyk (). He died in City on June 25,

Further Reading

The only monograph on Rietveld esteem Theodore M.

Brown, The Pointless of G. Rietveld (), which includes an illustrated catalog enjoy Rietveld's work, a bibliography, be proof against translations of some of enthrone writings. Hans Ludwig C. Jaffé, De Stijl (), discusses Rietveld's connection with the group. □