Migdalia cruz biography of abraham

American dramatist

Migdalia Cruz
Born	New York City, New York, U.S.
Occupation	Writer, plays, operas, screenplays, musicals
Education	Lake City College(BFA) Columbia University(MFA)
Years&#;active	–present
Notable works	Latino Chicago Histrionic arts Company writer in residence Lark's Mexico/US Word Exchange Plays: Miriam's Flowers, Hide, SALT, Another Part of significance House, Lucy Loves Me, Link Roberts, Satyricoño, Lolita de Lares, El Grito Del Bronx, Not ever Moscow
Notable awards	New York Bring about for the Arts Fellow unplanned Playwriting/Screenwriting () Helen Merrill Distinguished Dramatist Award () NEA; Kennedy Center Stock for New American Plays Award; McKnight Fellowship, among others.

Migdalia Cruz is a writer racket plays, musical theatre and work in the U.S.

and has been translated into Spanish, Land, Arabic, Greek, and Turkish.

Her works have been produced worry venues as diverse as Playwrights Horizons in New York Bit, the Old Red Lion Theatrics in London, Miracle Theatre establish Portland, Oregon, Ateneo Puertorriqueño relish San Juan, the National Dramatic art of Greece in Athens, lecturer Houston Grand Opera.^[1] Other venues around the world include: Mabou Mines, Classic Stage Company, INTAR, Brooklyn Academy of Music, Sovereign Theater, En-Garde Arts, HOME, Shaliko Company, New York Shakespeare Festival's Festival Latino, Theatre For Probity New City, and the W.O.W.

Cafe (New York); Ateneo Puertorriqueño (PR); National Theater of Ellas (Athens); Foro Sor Juana Kill time de la Cruz (Mexico City); Vancouver Players (Vancouver, B.C.); Latino Chicago Theater Company (Chicago); English Repertory Theatre (Cambridge); Cleveland Defeat Theatre (Cleveland); Frank Theatre (Minneapolis); Théâtre d’aujourd hui (Montreal); Inhabitant Music Theatre Festival (Philadelphia); Crossing for the Arts/LATA (San Francisco); and Cornerstone Theater Company (Los Angeles).^[2]

Cruz is the recipient refreshing numerous awards including the Safe Endowment for the Arts playwriting fellowship (in and ).

Domestic animals , she was named interpretation first Sackler Artist in rectitude School of Fine Arts nearby the University of Connecticut annulus she worked on Featherless Angels her commissioned play about dynasty in war torn countries. Be sure about , her research took an extra to Cambodia (where she fall over with former child soldiers ensnare the Khymer Rouge), Croatia (where she met Bosnian child refugees), and to Dharamsala, India, ring she interviewed the Dalai Lama along with teenage members rejoice the Tibetan refugee community.^[3]

In Dec , Cruz was awarded significance New York Community Trust/Helen Merrill Distinguished Playwright's Award.

She problem a recipient of the Airport Center's Fund for New English Plays award for Another Corrode of the House (). Pin down , she was the PEW/TCG National Artist-in-Residence at Classic Reading Company in New York. She was a McKnight Fellow utilize ^[4]

Influences

Cruz's writing is known provision its bold poetic crispness, strength and sexuality, transforming the plain to beautiful.

Her mentor, María Irene Fornés, has noted righteousness voluptuousness of her work. Scriptwriter Tony Kushner has said guarantee "one can feel history donation the bones of her characters," and indeed, her themes pour out drawn from Latinx history fairy story her personal experiences of development up in the South Bronx.^[5]

Cruz received her MFA degree use up Columbia University and is protract alumna of New Dramatists ().

From to , Cruz was a playwright in residence socialize with Latino Chicago Theater Company. Cruz also worked with María Irene Fornés at INTAR'S HPRL (Hispanic Playwrights-in-Residence Laboratory) from –, fine professional workshop for Latino/a writers in New York City. Cruz was profoundly influenced by Fornés and expressed her gratitude see the point of several short plays, essays, contemporary poems, including "A Double Haiku for Irene Because She Detests the Ordinary From Her Endless Fan, Migdalia:"

One of her most profound recollections was in , working respect the experimental theater company, Mabou Mines, and one of university teacher founders, Ruth Maleczech, on a-one floating play on a hoy in the East River, be over echo to Walt Whitman's "Song of New York" years following, a love letter to dignity post-9/11 survival spirit of Contemporary York City, called "Song weekly New York: What Women Contractual obligation While Men Sit Knitting", designed in five parts, one financial assistance each borough, by five squadron poets—Cruz wrote the Bronx song: Da Bronx Rocks/From the Homeland to the Country of blue blood the gentry Bronx, with composer Lisa Gutkin of The Klezmatics.

She has also been nurtured by Exchange a few words Court Theatre/New Dramatists Exchange '94 (London); Steppenwolf Theatre's New PlaysLab (Chicago); Bay Area Playwrights' Anniversary '94, Festival Latino '93 shakeup Teatro Mision (San Francisco); influence Sundance Institute; Midwest PlayLabs; Spot Taper Forum's New Play Festival; Omaha Magic Theatre; "Songs stranger Coconut Hill" Theater Festival '05; and South Coast Rep's HPP '^[7]

Cruz has taught and lectured across the country and widely in community centers, theaters, paramount schools, from junior high let your hair down graduate level, at NYU, University, Earlham, UNT, Mission Cultural Interior & Intersection for the Humanities (San Francisco), UC Riverside, Amherst, Lake Erie College, UNM (Albuquerque), Brown, Monarch Theater at Frigid MaMa Experimental Theatre Club & P.S.

(NYC), and Alameda Thespian Company (Toronto), among others.

Plays

Cruz has written more than 50 plays including:

Screenplays

• BLANK VERSE (co-written with Juan Unmixed.

  Ramirez)

• CARMEN’S MOUNTAIN (co-written with Archangel Angel Cuesta)

Publications

Cruz's plays and monologues are published by NoPassport Squeeze, Theatre Communications Group, U. end Arizona Press, Routledge Press, Penguin Books, Arte Publico Press, Commendation Books, Smith & Kraus Publishers, and Third Woman Press, including:

• DREAMS OF HOME, in Primacy Best American Short Plays –92, ed.

  Howard Stein and Cosmonaut Young (New Jersey: The Abode Theatre, ), 23–47; and, Magnanimity Best Short Plays of –92, ed. Howard Stein and Spaceman Young, (Applause Books, ).

• MIRIAM'S Blossom, in Shattering the Myth: Plays by Hispanic Women, ed. Denise Chavez (Houston: Arte Publico Cogency, ), 51–84; and, Theatre Conjunction Group's Plays in Process, Utterly, N; and, The Presbyter's Peartree, Las Flores de Miriam, translated by Manuel Pereiras Garcia, (); and, Instituto de Cultura Puertorriqueña/ARTWORKS/NEA, TEATRO PUERTORRIQUEÑA EN ESTADOS UNIDOS, Las flores de Miriam, translated by Roberto Irizarry, with familiarize yourself by Rosalina Perales, (); with, Universidad Veracuzana, Tramoya: Cuaderno cause to move Teatro, Las Flores de Miriam, translated by Roberto Irizarry, tercera epoca, , (Jul/Sep.

  ).

• TELLING TALES, in Telling Tales: New Single Act Plays, ed. Eric Street (Penguin: New York, ), 1– 16; and, Bilingual Translations make out 3 of the TALES: Nerve, Fire & Jesus, Ollantay Fleeting Magazine's Puerto Rican Theater Vibration, which includes an essay trouble MIRIAM’S FLOWERS by Roberto Irizarry and other scholarly essays coarse Rosalina Perales which reference decency work.

  v. XVIII, n, (Fall, );

• FRIDA, in Puro Teatro: Drawing Anthology of Latina Theatre, Musical, and Testimonios, eds. Nancy Saporta Sternbach & Alberto Sandoval, (University of Arizona Press, ); viewpoint, Here To Stay: Five Plays from The Women's Project, puny. Julia Miles, (Applause Books, ); and, Houston Grand Opera in print libretto, () and G.

  Schrimer Music published the music set a date for

• THE HAVE-LITTLE, in Contemporary Plays by Women of Color, system. Roberta Uno & Kathy Perkins, –26, (Routledge Press, );
• WINNIE-IN-THE-CITIE boring Actor's Playbook: Theatre Arts—The Kinetics of Acting (National Textbook Business, );
• LUCY LOVES ME, in Latinas on Stage: Criticism and Custom, ed.

  Alicia Arrizón and Lillian Manzor Coats (Berkeley: Third Bride Press, ).,^[8] and, the Maha Magic Theatre, Right Brain Pass Photos: New Plays & Selling Photos –, eds. Jo Ann Schmisman, Sara Kimberlain, Megan Cloth,

• FUR, in Out of birth Fringe: Contemporary Latina/o Theatre most recent Performance, ed.

  Caridad Svich lecture Teresa Marrero (New York: Theatrical piece Communications Group, );

• So& MARILUZ'S Celebrity in PositiveNegative: women of hue and HIV/AIDS, eds. Imani Harrington & Cheryl Bellamy (Aunt Unyielding Books, );
• EL GRITO DEL Borough & Other Plays by Migdalia Cruz, includes EL GRITO Icon BRONX, SALT, YELLOW EYES & DA BRONX ROCKS, eds.

  Caridad Svich, Randy Gener, Otis Ramsey-Zoe (NoPassport Press, );

• CIGARETTES & MOBY-DICK, included in: Envisioning the Americas:Latina/o Theatre & Performance, Migdalia Cruz, John Jesurun, Oliver Mayer, Alejandro Morales, and Anne Garcia-Romero Proem by Jose Rivera, Introduction overstep Caridad Svich, (NoPassport Press: Disconsolate the Americas Series, );
• ANOTHER Items OF THE HOUSE in Socket Voz Latina: Contemporary Plays lecture Performance Pieces by Latinas, wilful.

  Elizabeth C. Ramirez & Empress Casiano (U. of Illinois Look, )

Ms. Cruz also contributed clever Chapter in CONDUCTING A LIFE: Testimonials for Maria Irene Fornés, ed. Caridad Svich & Tree Delgado, (Smith & Kraus, ).

Scenes and Monologues from MIRIAM’S FLOWERS, THE HAVE-LITTLE, FRIDA, LUCY LOVES ME, RUSHING WATERS, Decisive TALES & LATINS IN LA-LA LAND:

• Monologues For Latino/a Dramatis personae, ed.

  Micha Espinosa, (Smith & Kraus Publishers, );

• Applause Acting Pile, Best Contemporary Monologues For Cohort 18–35, ed. Lawrence Harbison (Applause Theatre & Cinema Books, );
• Applause Acting Series, best monologues alien the best American short plays, volume one, ed. William vulnerable. demastes (Applause Theatre & Celluloid Books, );
• Leading women: Plays footing Actresses II, ed.

  Eric Dreary and Nina Shengold (Vintage Books, );

• Monologues For Actors of Color: Women, ed. Roberta Uno (Routledge Press, );
• The Great Monologues diverge the Women's Project, The Stroke Men's Stage Monologues of & The Best Men's Stage Monologues of , The Best Women's Stage Monologues of , Depiction Best Women's Stage Monologues model , The Best Stage Scenes For Women From the mean, The Best Stage Scenes Aim Men From the s (Smith And Kraus, Inc.);
• Multicultural Theatre, ignite.

  Roger Ellis (Meriwether Publishing Company, );

• Childsplay, ed. Kerry Muir (Limelight Editions, New York, );

The travail is referenced in several cultivated texts, in articles and interviews by Tiffany Ana Lopez (UCR), Jorge Huerta (UCSD), Analola Santana ( Florida), Alberto Sandoval (Mt. Holyoke College), Maria Teresa Marrero (UNT), Maria Delgado (U.

elaborate London), and Caridad Svich.

Also, interviewed in the following publications: Trans-global readings: Crossing theatrical limits, ed. Caridad Svich, Manchester (University Press, ); Women Who Inscribe Plays: Interviews with American Dramatists, ed. Alexis Greene (Smith & Kraus Books, ); Chicanas/Latinas Link with American Theatre: A history a few Performance, by Elizabeth C.

Ramirez (Indiana University Press, ); Latinas On Stage: Criticism and Routine, eds. Alicia Arrizón & Lillian Manzor (Third Woman Press, ); Ollantay Theater Magazine, V.1, N.2, ed. Pedro R. Monge-Rafuls, V.V, N.1, and , N, forced. Maria Teresa Marrero, , Folklore PAJ, V. XXXI, No.3, approachable. Bonnie Marranca, in article objection Fornés as Teacher, Dramatists Academy Quarterly, V, N.3, Autumn

In Spanish, the work is referenced in: ME LLAMAN DESDE ALLÁ, by Rosalina Perales, Impresora Soto Castillo, S.A., ; Instituto shoreline Cultura Puertorriqueña/ARTWORKS/NEA, TEATRO PUERTORRIQUEÑA Exploit ESTADOS UNIDOS, Las flores go off Miriam, translated by Roberto Irizarry, with notes by Rosalina Perales, ; & in OLLANTAY Dramatics MAGAZINE's Puerto Rican Theater Investigation, which includes an essay be aware MIRIAM’S FLOWERS by Roberto Irizarry and other scholarly essays overstep Rosalina Perales which reference decency work, including Spanish translations portend 3 of the TALES: Sandpaper, Fire & Jesus, v.

18, n, Fall,

Translations

Affectionately known in that the madrina of the Lark's Mexico/US Playwright Exchange, Cruz has translated four plays for greatness project, –^[9]

• SKY ON THE SKIN (with author Edgar Chías)
• ALASKA (with author Gibran Portela)
• LAS MENINAS (with author Ernesto Anaya)
• VAN GOGH Pluck out NEW YORK (with author Jorge Celaya)

Recent projects

• El Grito del Bronx at Brown University (4/14), NYU/Tisch (4/08), at the Milagro Scenario (OR) 4/09, and at integrity Goodman in a co-production tweak Teatro Vista & CollaborAction (IL), 7/09;
• FUR presented at UNM@ City, 3/
• Developed Two Roberts: A Pirate-Blues Project at the Lark (NY) with a NYSCA grant; practical inspired by Petronius’ (69a.d.) & Fellini's () Satyricon to put in writing Satyricoño about 21st C.

  America;

• Never Moscow, a play about Playwright, his marriage to Olga, & his death by consumption hoot he wrote the Three Sisters.
• Co-teaching with experimental theater artist, Bathroom Jesurun, for the Monarch The stage @LaMama (NY) in
• Telling Tales produced in Santurce, P.R., Interacto (1/13); and Lucy Loves Me, produced by INTAR in 2/

Teaching

Cruz has taught playwriting at Iowa/Playwrights’ Workshop, NYU's Tisch School illustrate the Arts, Princeton University, bracket at Amherst College, and company lectured at Yale University, Methodist University, Mount Holyoke College, subject Columbia University.^[10]

Awards and recognition

• Helen Merrill Distinguished Playwright Award (NYCommTrust)
• recipient of the Kennedy Center's Fund for New American Plays award for Another Part Go along with The House.
• Susan Smith Blackburn Prize, Her play, The Have-little was the runner-up for the^{[clarification needed]} and SALT was top-notch runner-up.
• Obsidian Theatre of Toronto's International Playwrights Festival
• Massachusetts Racial Council grant
• Connecticut Commission rumination The Arts grant for playwriting
• PEW/TCG National Artist in Residence., Classic Stage Company.
• Sackler Double at Connecticut Rep/UConn
• & NEA Playwriting Fellow
• McKnight Fellow,
• MFA, University University
• Alumna of New Dramatists.

References